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Harumi Fujita | {{Infobox_person | ||
== | | name = {{JapaneseName | western_version = Harumi Fujita | kanji = 藤田晴美 | kana = ふじたはるみ | romaji = Fujita Harumi}} | ||
==Trivia== | | aka = {{JapaneseName | western_version = Okan-P | kanji = おかんP | kana = おかんP | romaji = OkanP}} | ||
*Fujita was pregnant while working on Tomba | | image = Harumi fujita bio pic cropped.jpg | ||
| birthday = 1961 | |||
| flag = 🇯🇵 | |||
| from = [https://en.wikipedia.org/wiki/Tondabayashi Tondabayashi], Osaka, Japan | |||
| occupation = Composer, musician | |||
| worked_on = [[Tomba!|Tomba]] and [[Tomba! Special Edition|Special Edition]] | |||
| twitter = https://twitter.com/soundfujita | |||
| youtube = https://www.youtube.com/channel/UCi9urPA94uh5Uqck-UALZfw | |||
| instagram = https://www.instagram.com/harumi.fujita/ | |||
| tiktok = https://www.tiktok.com/@okanp2024 | |||
| wikipedia = https://en.wikipedia.org/wiki/Harumi_Fujita | |||
| website_url = https://otoyanoblog.ldblog.jp/ | |||
| website_name = 音 屋 | |||
| facebook = | |||
| github = | |||
| linkedin = | |||
| reddit = | |||
| tumblr = | |||
| mobygames = https://www.mobygames.com/person/225430/harumi-fujita/ | |||
}}[[File:Noda Crystal - Fujita at Capcom.jpg|thumb|Fujita at Capcom in the 1980s.]]{{JapaneseName | western_version = '''Harumi Fujita''' | kanji = 藤田晴美 | kana = ふじたはるみ | romaji = Fujita Harumi}}, also known as {{JapaneseName | western_version = '''Okan-P''' | kanji = おかんP | kana = おかんP | romaji = OkanP}}, is a Japanese video game composer and sound designer known for her work on many notable productions, including [https://en.wikipedia.org/wiki/Ghosts_%27n_Goblins Ghosts 'n Goblins], [https://en.wikipedia.org/wiki/Final_Fight_(video_game) Final Fight], [https://en.wikipedia.org/wiki/Mega_Man_3 Mega Man 3] and [[Tomba!|the first Tomba game]]. | |||
Born in 1961 in [https://en.wikipedia.org/wiki/Tondabayashi Tondabayashi], Japan, she first became active in the industry upon joining [https://en.wikipedia.org/wiki/Capcom Capcom] in 1984. In 1991, she went freelance. She has written over 5000 video game tracks throughout her career.<ref>As mentioned during her introduction in the [["A Masterpiece-Level Track" Goes Super-Viral! Okan-P! (Noda Crystal's Ambition)|Noda Crystal's Ambition episode starring her]].</ref> | |||
== Working for Whoopee Camp == | |||
[[File:TombaMasterSoundtrackFloppy.png|thumb|250px|A 230MB MO (magneto-optical) disk labeled "Tomba ME" (right), containing Fujita's master recordings.]] | |||
After discovering [[Tokuro Fujiwara]]'s newly established Whoopee Camp website in 1996, Fujita contacted him and submitted a demo track. Impressed, Fujiwara immediately invited her to compose the soundtrack for [[Tomba!|Tomba]], leveraging their prior working relationship at Capcom. | |||
Since she was pregnant at the time of the game's development, she composed the entire soundtrack remotely from her home, with Fujiwara granting her full creative freedom due to their mutual trust. | |||
Shortly after giving birth, she returned to the office to finalize work on the game. She adhered to tight deadlines, one time completing a track in just two hours at Fujiwara's urgent request—her fastest turnaround. | |||
=== Working with Nao Hatsutani === | |||
Though Fujita was the primary composer, Nao Hatsutani (credited as co-composer) contributed to Tomba's soundtrack as well. | |||
Hatsutani, Whoopee Camp's corporate affairs manager, expressed a personal desire to compose music. At Fujiwara's request, Fujita agreed to mentor her, hosting Hatsutani at her home for private lessons.<ref>[https://tomba.club/interviews.html Tomba Club interview with Harumi Fujita] (tomba.club)</ref> Fujita later integrated her protégée's work into the Tomba soundtrack, including tracks such as: | |||
* The Familiar-Looking Mansion | |||
* The Mermaids' Singing Rock | |||
Aside from this one project, Hatsutani does not appear to have been credited for any other games. | |||
=== Production === | |||
Equipment used for Tomba's soundtrack: | |||
* [https://en.wikipedia.org/wiki/Roland_JV-1080 Roland JV-1080] sound module | |||
* [https://en.wikipedia.org/wiki/Korg_01/W Korg 01/W] synthesizer | |||
* [https://synthpedia.net/akai/s2800/ Akai S2800i] sampler | |||
The original hardware and master recordings were discarded, though Fujita preserved a digital backup of the files as seen on the right. | |||
== Okan-P == | |||
[[File:Noda Crystal - Fujita as Okan-P.jpg|thumb|Okan-P on [["A Masterpiece-Level Track" Goes Super-Viral! Okan-P! (Noda Crystal's Ambition)|Noda Crystal's Ambition]].]] | |||
In June 2024, Fujita's son launched a TikTok channel named [https://www.tiktok.com/@okanp2024 おかんP] ("Okan-P"), combining the Kansai dialect term for "mom" (おかん) with "P" for "producer." In these videos, he challenges his mother to compose music reminiscent of classic video game soundtracks, such as "can you make a song like Mega Man?" Fujita then speed composes a track in roughly 5 minutes. | |||
The debut video, featuring a Mega Man style track titled [https://www.tiktok.com/@okanp2024/video/7385887977991441680 "Sonic Man"], garnered over 2 million views within a month, propelling the channel to viral status. Fujita later confirmed her identity on social media, revealing herself as the composer behind titles like Mega Man 3 and Final Fight. She explained that her creative process is driven by intuition and visual cues, stating, "When I see an illustration, my hands just start moving." The channel's content remains popular for both Fujita's musical talent as well as the charming mother-son interactions.<ref>[https://archive.is/aeioL 「5分で作ったロックマンみたいな曲」が大バズリ 「おかんP」の”オカン”に話を聞いてみた] (news.infoseek.co.jp)</ref> | |||
In April 2025, the channel's popularity led to her being [["A Masterpiece-Level Track" Goes Super-Viral! Okan-P! (Noda Crystal's Ambition)|featured on the variety TV show Noda Crystal's Ambition]], in which she speed composes a track and answers questions about her career. The hosts also play a prerelease version of the Japanese release of [[Tomba! Special Edition]]. | |||
== Trivia == | |||
* As mentioned above, Fujita was pregnant while working on Tomba, saying [https://twitter.com/HarumiFujita/status/1252989248937967616 "It was a very tough time."] | |||
* Fujita [https://twitter.com/HarumiFujita/status/1252977284987752448 asked a programmer] who worked on Tomba for help because her son could not complete some events: | |||
<blockquote>"I composed the music for Tomba, and after release, my son (who was in 1st grade at the time) got stuck on a puzzle he just couldn't solve. Know what I did? Called up one of the game's programmers to ask how to beat it—and my son managed to get past it! What luxury!"</blockquote> | |||
== Notes == | |||
<references /> | |||
== External links == | |||
* [https://twitter.com/soundfujita Harumi Fujita's personal Twitter account] | |||
* [https://www.tiktok.com/@okanp2024 Okan-P TikTok account] | |||
[[Category:Whoopee Camp employees]] | |||
Latest revision as of 13:17, 28 April 2025
 |
|
| Name | Harumi Fujita (藤田晴美) |
|---|---|
| Aka. | Okan-P (おかんP) |
| Born | 1961 🇯🇵 Tondabayashi, Osaka, Japan |
| Occupation | Composer, musician |
| Worked on | Tomba and Special Edition |
Links |
|
Harumi Fujita (藤田晴美), also known as Okan-P (おかんP), is a Japanese video game composer and sound designer known for her work on many notable productions, including Ghosts 'n Goblins, Final Fight, Mega Man 3 and the first Tomba game.
Born in 1961 in Tondabayashi, Japan, she first became active in the industry upon joining Capcom in 1984. In 1991, she went freelance. She has written over 5000 video game tracks throughout her career.[1]
Working for Whoopee Camp
After discovering Tokuro Fujiwara's newly established Whoopee Camp website in 1996, Fujita contacted him and submitted a demo track. Impressed, Fujiwara immediately invited her to compose the soundtrack for Tomba, leveraging their prior working relationship at Capcom.
Since she was pregnant at the time of the game's development, she composed the entire soundtrack remotely from her home, with Fujiwara granting her full creative freedom due to their mutual trust.
Shortly after giving birth, she returned to the office to finalize work on the game. She adhered to tight deadlines, one time completing a track in just two hours at Fujiwara's urgent request—her fastest turnaround.
Working with Nao Hatsutani
Though Fujita was the primary composer, Nao Hatsutani (credited as co-composer) contributed to Tomba's soundtrack as well.
Hatsutani, Whoopee Camp's corporate affairs manager, expressed a personal desire to compose music. At Fujiwara's request, Fujita agreed to mentor her, hosting Hatsutani at her home for private lessons.[2] Fujita later integrated her protégée's work into the Tomba soundtrack, including tracks such as:
- The Familiar-Looking Mansion
- The Mermaids' Singing Rock
Aside from this one project, Hatsutani does not appear to have been credited for any other games.
Production
Equipment used for Tomba's soundtrack:
- Roland JV-1080 sound module
- Korg 01/W synthesizer
- Akai S2800i sampler
The original hardware and master recordings were discarded, though Fujita preserved a digital backup of the files as seen on the right.
Okan-P
In June 2024, Fujita's son launched a TikTok channel named おかんP ("Okan-P"), combining the Kansai dialect term for "mom" (おかん) with "P" for "producer." In these videos, he challenges his mother to compose music reminiscent of classic video game soundtracks, such as "can you make a song like Mega Man?" Fujita then speed composes a track in roughly 5 minutes.
The debut video, featuring a Mega Man style track titled "Sonic Man", garnered over 2 million views within a month, propelling the channel to viral status. Fujita later confirmed her identity on social media, revealing herself as the composer behind titles like Mega Man 3 and Final Fight. She explained that her creative process is driven by intuition and visual cues, stating, "When I see an illustration, my hands just start moving." The channel's content remains popular for both Fujita's musical talent as well as the charming mother-son interactions.[3]
In April 2025, the channel's popularity led to her being featured on the variety TV show Noda Crystal's Ambition, in which she speed composes a track and answers questions about her career. The hosts also play a prerelease version of the Japanese release of Tomba! Special Edition.
Trivia
- As mentioned above, Fujita was pregnant while working on Tomba, saying "It was a very tough time."
- Fujita asked a programmer who worked on Tomba for help because her son could not complete some events:
"I composed the music for Tomba, and after release, my son (who was in 1st grade at the time) got stuck on a puzzle he just couldn't solve. Know what I did? Called up one of the game's programmers to ask how to beat it—and my son managed to get past it! What luxury!"
Notes
- ↑ As mentioned during her introduction in the Noda Crystal's Ambition episode starring her.
- ↑ Tomba Club interview with Harumi Fujita (tomba.club)
- ↑ 「5分で作ったロックマンみたいな曲」が大バズリ 「おかんP」の”オカン”に話を聞いてみた (news.infoseek.co.jp)